The learners who stall at a few hundred characters are usually doing one thing wrong: memorizing whole characters as pictures. Characters are assemblies - and once you learn the parts, new characters stop being new.
Learn the components first
Around 200 radicals plus a few hundred phonetic components generate most of the inventory. 清/情/晴/请/睛 all carry 青 (qīng) as a sound hint, with the left part tagging meaning: water, heart, sun, speech, eye. The radical index is the map - each page like 氵 water lists the family it heads.
Use the character's own story
Every character page - say 想 - shows its decomposition and stroke order. "想 = 相 (the sound) over 心 (heart)" is a mnemonic the character hands you for free. Curated pairs pages like 自己 also flag the lookalikes that trip learners.
Write a little, mostly by hand-rules
You do not need calligraphy, but writing the first few hundred by hand installs the stroke-order rules, which makes every later character predictable instead of a tangle. After that, typing is fine - recognition is what reading needs.
Review on a schedule
Components get you comprehension; forgetting still needs a scheduler. Any FSRS/SRS deck works - the point is the algorithm sees each card the day before it would fade. Twenty characters a week, reviewed daily, is a sustainable 1,000-a-year pace.
The traps
- Learn words, not just characters. 生 alone means little; 学生, 生日, 生活 are what you will meet.
- Do not drill lookalikes together on day one. 未 vs 末, 己 vs 已 - learn one well, then add the other with the difference named.
- Traditional is not a second mountain. If you ever need it, the script guide shows the overlap is large.
Common questions
How many characters do I need to memorize?
About 1,000 covers daily signage and simple texts; ~3,000 covers newspapers and novels. HSK 3.0 defines exactly 3,000 - the standard target.
Should I learn to write or just read characters?
Write the first 300-500 to install stroke order and component awareness; after that recognition suffices for most learners, and typing covers production.
Are mnemonics (Heisig etc.) worth it?
Stories help when they encode components and sound - arbitrary stories that ignore structure fade fast. The best mnemonic is usually the character's real composition.